By the following decade, however, it was becoming clear from research and data analysis that the world was hotting up. Issues such as the destruction of rainforests and the use of ozone layer-damaging CFC gases (chlorofluorocarbons) in industrial and commercial use became more commonplace and many celebrities and musicians began to bring wider attention to the problems the planet faced.

The connotationbehind it all is that the devil is superior to man, with God trumping both.And needless to say, such terminology can lead to a number of speculations as to why the Pixies would include such an idea in a song which appears to be primarily about the environment in the first place. Very few Buddy Holly songs were over two minutes, and that was an amazing thing for Charles to do, really, because how could I argue with him? Some of the best, most classic songs that anybody remembers are the Buddy Holly songs, and they were short and sweet, bang-bang-bang. That was very educational for me on so many levels, and it increased Charles's trust in me when he could see I was taking that on board." Portable Pixies I love pop music," he says. "People sometimes turn their noses up when they hear the words 'pop music', but popular music is what we're doing, and if you don't want people to like it then you should just do your own little thing and play it for yourself in your bedroom. Once you get to the point where you're putting things out for the world to hear, the reason to do that is hopefully people will get what you're doing and like it. The information regarding accolades attributed to "Monkey Gone to Heaven" is adapted from Acclaimed Music. [19] PublicationPre-production took place in a rehearsal room normally used by singer-songwriter Juliana Hatfield, with the band set up in a circle. The Doolittle songs had mostly already been demoed with Gary Smith, the producer who had discovered the band in 1986 and taken them into his Fort Apache Studios to record what became the eight-song Come On Pilgrim mini-album. Artist History— Pixies". Billboard.com. Archived from the original on September 29, 2007 . Retrieved 2007-04-20.

Since we had under three weeks to record, most of Doolittle was a song a day, and we managed to keep to that except for 'Monkey Gone To Heaven'. It was a case of 'Oh, it would be great just to try putting some strings on that,' and because we didn't have enough time in Boston, we had to wait until we got to the Carriage House in Connecticut." Going Downtown When Monkey Gone To Heaven was released as a single on 20 March 1989, the cover depicted a benign simian with a halo over its head.The song peaks with the frontman screaming a nursery-rhyme style lyric that invoked some weird numerology: "If man is 5, then the devil is 6, and if the devil is 6, then God is 7!" Monkey Gone to Heaven" includes references to numerology in the lyrics "If man is five/then the Devil is six/and God is seven". Francis later expanded on the significance of the lyrics in an interview to Alternative Press, saying "It's a reference from what I understand to be Hebrew numerology, and I don't know a lot about it or any of it really. I just remember someone telling me of the supposed fact that in the Hebrew language, especially in the Bible, you can find lots of references to man in the 5th and Satan in the 6th and God in the 7th. [...] I didn't go to the library and figure it out". [5] The song's numerology is alluded to on the single's cover, which features figures of five, six and seven, and also a monkey with a halo.

Climate change is not a new thing. Ecology had become more of a talking point in the 1970s, but caring for the environment was still seen as a niche, slightly "hippie-ish" pastime. David from Fairfax, VaIf you go to a Baltimore Orioles game, this song gets played for several of the players when they come up to hit. That's a little bizarre if you ask me... except maybe the thing about 10 million pounds of sludge from new york and new jersey during a yankee game.By 1983, Norton was also producing, and soon he was being managed by John Reed, who takes care of his career to this day. Work with Throwing Muses in Boston led to Norton watching their support act, the Pixies, perform at a hip local punk club named The Rat (formerly the Rathskeller).

With the rhythm section set up in a live formation, Dave Lovering's kit was positioned at the far end of the studio. Standing nearby, Kim Deal's bass was DI'd and miked with a U47 on the cabinet, while the guitars were amped with Marshalls or Peaveys — sometimes a combination of the two, split and then mixed together — and miked with 57s or 414s.Frank, Josh; Ganz, Caryn. Fool the World: The Oral History of a Band Called Pixies. Virgin Books, 2005. ISBN 0-312-34007-9.