Monahan, Kelsey (August 1, 2014). "The Artist Behind the Stamp". Smithsonian National Postal Museum. Literary Arts: Zora Neale Hurston". Smithsonian National Postal Museum. Retrieved January 30, 2017.

Hawkinson, Olivia (May 14, 1999). "The brush strokes behind the images of our 'Star Wars' world". Orange County Register. The Making of the Poster". StarWars.com. March 10, 2000. Archived from the original on May 13, 2011.

The final film in the Skywalker saga comes home today on 4K Ultra HD and Blu-ray, and we have three free, printable covers featuring gorgeous concept art from the movie.

Winder, Mike (December 18, 2015). "Illustration alum and legendary Star Wars poster artist Drew Struzan on the awakening of his own creative forces at ArtCente". Art Center College of Design. On that day in mid-2019, when Luna was recruited for Andor, the actor remembers looking out the car window at the rooftops of the adjacent buildings, visualizing the tale about resistance-minded spies and near-death escapes. He was especially glad that Gilroy’s proposal included details that resonated personally. Luna describes Andor as a refugee story, with desperate people fleeing the Empire at the full force of its power. “It’s the journey of a migrant,” he says. “That feeling of having to move is behind this story, very profoundly and very strong. That shapes you as a person. It defines you in many ways, and what you are willing to do.” Another new series on the horizon doesn’t even have a title, just a code name: Grammar Rodeo, a reference to an episode of The Simpsons in which Bart and his schoolmates steal a car and run away for a week, using a phony educational event as an alibi. The show takes place during the post– Return of the Jedi reconstruction that follows the fall of the Empire, the same as The Mandalorian, but its plot remains a secret. It’s created and executive-produced by director Jon Watts and writer Chris Ford, who made Spider-Man: Homecoming for Marvel. A casting notice has called for four children, around 11 to 12 years old. Inside Lucasfilm, the show is being described as a galactic version of classic Amblin coming-of-age adventure films of the ’80s. It’s an honor to be working on so many covers for the Star Wars world… I love all the characters I got to draw. They each have their own uniqueness and strength that I admire.”

After meeting at Kennedy’s office in Santa Monica, Favreau started work without even a contract. “I just started writing,” he says. “So by the time I was officially hired, I had already written the first, I think, four episodes.” After the screening, McGregor started to get asked The Question nearly every time he gave an interview: Would he ever consider playing Obi-Wan Kenobi again? McGregor always answered in the affirmative, which is good politics but not a contractual obligation. The only time the question really mattered was when McGregor was asked by Lucasfilm’s then head of story Kiri Hart about four years ago. “She just said, ‘We just wanted to know if it’s true. You’ve said you’d do it again. We want to know if you mean it,’ ” McGregor recalls. “And I said, ‘Yeah, I do mean it. I would be happy to do it again.’ ” After The Mandalorian debuted in late 2019, Lucasfilm’s special effects division, Industrial Light & Magic, began to reveal details of the colossal curved LED wall they call The Volume that can envelop a film crew as effectively as any location shoot, generating an environment that’s convincingly photorealistic, even to a digital camera. There’s no need to ship a crew and props and actors anywhere. Everywhere can be brought to the studio. With three Volumes now in L.A., one in London, and one in Vancouver, film and TV creators are just beginning to discover its capabilities. The glow of dusk or dawn can last the whole workday if necessary. You can freeze the sun. Or, if you’re shooting something set on Tatooine, you can freeze two of them.Holy Crap, Drew Struzan Did 3 Incredible Posters for the How to Train Your Dragon Trilogy". January 19, 2019. In the 1990s, with the advent of computers and digital manipulation of images utilized to create poster art, Struzan was affected by the decline of traditionally illustrated poster art. While continuing to create artwork for such 1990s and 2000s films as Hook, Hellboy and the American poster for Harry Potter and the Philosopher's Stone, he started exploring other outlets for his work, including comic books, limited-edition art, and the collectible market. As such, his work has been featured on such diverse items as Franklin Mint collectible plates, including a twelve-piece set commemorating the life of Princess Diana, the 1996 cover for Parker Brothers board game Clue, [13] [14] and over 30 U.S. postage stamps, including the 2004 John Wayne stamp and the 2007 James Stewart stamp. [15] [16] Lula and Zeen have a beautiful story, as epic as any starfighter battle, and I wanted to showcase that. An intimate, tender and quiet moment together. A loving hug looking at the stars, their destiny! Because in the great scheme of things, even on a galactic level, it's the small human things that really matter.” -- Javier Garrón